Tuesday, November 10, 2009

Dicking with Publishers

Sometimes publishers are such a joy to work with, they make me thank my lucky stars (at least I would if I had lucky stars -- but I doubt it). Sometimes they make me wonder, WTF are you people thinking? And then there are those other times . . .

I've been waiting for the release of a print collection from you-know-who. Or you should know if you visit this blog with any regularity. First the book was supposed to come out in July. Then late September/early October. Two months ago, my editor was "working on the galleys" (which I, of course, will never get to lay eyes on, since I'm only the author). Now I must try to find out what the hell is going on. I'm actually not too concerned about what's going on, except in principle. Print editions usually result in returns, and returns are deducted from e-book royalties, and that sucks. But I am concerned whenever it appears one of my publishers isn't trustworthy and excels more at making excuses than getting things done.

Then there's this cluster-screw: I'm trying to get an old book back. Its contract will be up next year, and the publisher has disappointed me pretty much from the get-go. The book isn't making either of us any money. However, I didn't know whom to contact. This company has no on-site contact information, just a rather stagnant authors' loop on Yahoo to which I don't belong. So I had to google my original editor -- yes, google the woman! And thank goodness I found her.

"Oh," said she, "I haven't done much there for the past year, but I'll forward your message. When I get back onboard, although not even Jesus Christ knows when that will be, we have all these plans for blah-blah-blah, which will make things ever so much better, and blah-blah-blah." (Dig this. She RUNS the imprint through which my book was published . . . and she hasn't done squat with it in a freakin' year. Huh?) Mm-hm, yup. You've really bolstered my confidence. Just answer my questions, lady. I'm totally fed up with this outfit.

These people haven't sent me a royalty statement in two years. How professional, eh? (Doesn't matter if a statement only contains a big, fat zero, it nevertheless should be sent.) They haven't coughed up any royalties, either, because they have a policy of not paying out unless and until the amount exceeds X-number of dollars. Worse yet, the publisher thinks I'm not owed any royalties, because he obviously hasn't done his homework and looked up all the old statements. And, finally, he doesn't believe a letter granting reversion of rights is necessary.

This is no tiny e-pub, mind you. An e-pub, yes, but a large one that's been around for years and also, I believe, puts out print editions. Their lack of professionalism just makes my brain implode.

I really want to retrieve this novel and rework it. There's a good reason for that. But before I resubmit it, I first need to make a clean and legal break from the first publisher and get my damned money, no matter how small the amount.

Gawd. How do some of these operations get and stay in business?

Monday, November 09, 2009

When a Fellow Author Is Supportive

Much to my surprise, a fellow author at Liquid Silver -- and one who also happens to write for Samhain -- blogged about "discovering" me via Bastards and Pretty Boys. You can read Hailey Edwards' comments by clicking on the post title. (She does have a nifty blog!) She now plans on reading To Be Where You Are (yup, coming out later today), even though she's wholly unfamiliar with Jackson and Adin and the rather complex history of their relationship.

I haven't published with LSB very long, so I'm still getting to know the writers there. This makes it all the more startling and gratifying to get a wholly unexpected recommendation from one of them. Hailey's not a reviewer, so she was under no obligation to mention one of my books.

Maybe other authors are used to this kind of thing and take it for granted. I'm not, and I don't. Honestly, this kind of generosity bowls me over.

Thank you, thank you, Hailey.

Saturday, November 07, 2009

Voodoo


. . . is a complex belief system brought to the western hemisphere from Africa and given both an old Catholic and a New World spin. In fact, there are a dozen or so similar religions (Cuban Santeria is probably the best known) -- that more or less share the pantheon and tenets of voodoo/vodou.

The symbol above is called a "veve." Each god/dess has his or her own. This one happens to be for a spirit called Erzulie Freda, and you can see a portion of it on Adin Swift's torso on my new book's cover. Erzulie Freda, quite a lovely and vivacious creature, figures heavily in the storyline.


However, voodoo can be turned to dark purposes. Jackson Spey must confront these in To Be Where You Are.

If you'd like to get a sense of the mystery and magic of New Orleans-based voodoo, click on the post title. It will take you to the MySpace page for Dr. John "the Night Tripper." Look on his playlist in the upper right corner, and click on the song "I Walk on Gilded Splinters." (Don't worry if you can't make out some of the lyrics; I believe they're in Creole.)

It was really tempting to expand and even focus on this element of TBWYA, but I had to rein in the impulse lest Jackson's and Adin's story got lost. This is their book, after all.

However . . . I don't think I'm done with voodoo yet.

Thursday, November 05, 2009

Looming Questions in Gaylitland


It's that time again. My brain is stuffed with questions, and I must regurgitate them to avoid mental indigestion.


1. Are there gay men in law enforcement anywhere outside of Los Angeles? Anywhere? Or is it a rule at every police academy on the face of the earth that if you're a man who loves men, you can only work in LA?

2. Where did all the BDSM experts suddenly come from? There seems to be a bumper crop on the 'Net these days. Did the first class at BDSMU just graduate? I'll listen to most anything James Buchanan or TeddyPig has to say, because they didn't just pop out of the underbrush and start pontificating, but I swear there's a diploma mill somewhere that recently put specious degrees in a whole lot of people's hands.

3. Are vampires dead (as a character type, I mean) or aren't they? I've been getting distinctly mixed messages on this issue for at least a year or two, and it's giving me a serious case of WTFitis.

4. Is it necessary to surgically remove gay characters' tear ducts? I doubt any health-care plan would cover this procedure, but I figure there's a reviewer somewhere who'd be happy to do it in a back alley.








5. Does Japan have the only gay fiction worth filching? Isn't it time we started scouting other countries' and cultures' popular lit for some new (to us) fads to steal? The French probably keep theirs securely under wraps -- gods forbid they should undermine their hard-earned reputations as womanizers -- and the Germans . . . well, I doubt they have any erotic material worth boosting. I think we should start investigating South America, Southeast Asia, and Melanesia/Micronesia.

6. What words are okay? What words aren't? "Queer" seems to be okay. So does "homo." But "fag" and "cocksucker" seem to be verboten. Are there others? Who decides in which column they go? What's especially bewildering about the line between acceptable and unacceptable is that derogatory usage has little to do with where that line is drawn. I've heard a lot of 'phobes use "queer" and "homo." But those words are not considered offensive.

7. What's the role of women in gay fiction? It seems they can't be ex-wives or ex-girlfriends; no matter how they're portrayed, they get kicked in the ass. (I'm interested to see how readers react to Celia Quill in To Be Where You Are. She'll no doubt end up with a shoeprint or two on her rear.) And it seems women can't be the best buddies of gay guys; ditto the previous comment. That pretty much leaves faceless employers and "colorful" relatives. I don't know about the rest of you, but I'm as fond of the eccentric-female-relative trope as I am of the word trope. Better yet, meme.

So, wise and wise-ass readers, please come to my rescue with answers!

Thank you, JERR & NOR

Marcy Arbitman at Just Erotic Romance Reviews or JERR liked Bastards and Pretty Boys enough to give it 5 stars. (Yes, actual stars; you don't see that very often. Usually it's roses or kisses or fairies or fingers. Fingers, believe it or not. And I've gotten one -- the finger, actually -- but only from one source and fairly consistently, so someone's mind is made up that my writing sucks sewer water through a straw full of boogers. Not much I can do about that.)

The book also got one of these from Lilyraines at Night Owl Romance:

Many thanks, JERR and NOR. I'm very honored.

Monday, November 02, 2009

Channeling Testimonials


To Be Where You Are -- you know, the sequel to InDescent -- is coming out next Monday (clicking the post title will take you to a blurb and two excerpts). In preparation for its release, I considered sending out ARCs to some of my favorite authors and certain industry outlets. The good folks at Liquid Silver Books don't have time to fool with that kind of stuff, so I thought I'd take it upon myself to politely solicit some high-profile opinions. First, though, I asked Castanet what she thought of this plan. Her response: "Are you out of your fucking mind? Like they're gonna piss away their time on one of your books? You got exactly ZERO connections, hotshot."

Okay, I huffed a little. But I finally, grudginglyly admitted she had a point. Then I started pondering that word "connections." Hey, I thought, I was an English major! I do have connections!

So I decided to offer the ARCs to a different group of favorite authors. Problem is, they're all dead. I had to channel their responses to the book. (Now don't disparage my efforts; I have a very reliable Ouija board.)













EDITED TO ADD: The post just below this one was done as a favor to a fellow author. Hey, I may have quite the racket going here!

Sunday, November 01, 2009

A little addendum to the above post.



Well, Jeanne, I managed to pull it off. What a nice man! He was very cooperative.

Saturday, October 31, 2009

KZ's Halloweenies & Whorrors, 6


Those of you who've read InDescent can just skip this post. Sorry, but the horror maven in me loves this scene! (I just watched the incomparable Vincent Price in The Abominable Dr. Phibes today -- love it! -- and a sequence in that movie reminded me a little of the following scene.)

* * * * *

When a breach in the Prism of Nezrabi frees creatures from another plane, a troubled wizard learns there are things more terrifying than the bogeymen of our nightmares. Like inner demons…and love.

Being a powerful, sexually magnetic wizard has its disadvantages. Like inviting the attention of bumbling but persistent rivals. And seductive women. And otherworldly beings.

For Jackson Spey, that isn’t the worst of it. His lover-of-choice is a man with a disturbing past. And a girlfriend. And feelings Jackson is reluctant to return.

The legendary Prism of Nezrabi brings all these elements together when it falls into the hands of Spey’s number-one enemy. No ordinary crystal, the Prism is an intricate microcosm wherein all time, space, and dimensions exist in delicate balance. Humans who’ve been pulled into it have gone mad . . . or simply never returned.

Through inept or malicious magic, the structure’s integrity has been compromised. A breach has freed creatures thought only to exist in Slavic myth. Nobody but the most qualified Adept can repair the split. If Jackson descends into this mystical world, he may have to face something more dreadful than a seemingly impossible task and its potential consequences.

* * * * *

Fog Cliff Cemetery, Ivan thought, was even creepier than the portraits of Bill Clinton and Monica Lewinsky painted on Roland Dancy’s scrotum. And they were pretty damned creepy—especially when Rollie squeezed the top of his sac and made those faces pop in all their chicken-skinned, wire-haired glory.

The sun would soon be setting. Already, shadows cast by lines of gravestones had begun to stretch out on the grass like reclining ghosts. It didn’t help the atmosphere any to have Bothu loping along at his side like some oily mortician. It didn’t help, either, that Bothu carried an old, black doctor’s satchel, and whatever was stashed within kept making its presence known through muffled thumps and knocks.

Shielding his eyes with one hand, Ivan glanced up the narrow asphalt drive. There, toward the north, loomed the jagged rock formation that apparently gave the cemetery its name. No fog swaddled the cliff today, but thickening shade and almost palpable stillness provided more than enough atmosphere. The dead place was dead-quiet. Aside from whatever wildlife populated the surrounding woods, no other living creatures were around. This was a rural boneyard, and "visiting hours" appeared to be over.

"Where’s the grave?" Ivan asked, winded. The drive went uphill.

They’d parked their vehicles in a neighboring yard, which Bothu had assured him was safe. Maybe the property was abandoned. Maybe Bothu knew the owners. Ivan hadn’t bothered to inquire.

"We’re not going to a grave," the necromancer said.

"Then how the hell--?"

"It’s a mausoleum, and it’s behind the cliff."

Ivan stopped. He put up his hands. "Whoa, hold on there, bucko. You’re not shutting me up in some suffocating, vermin-infested—"

Bothu, too, paused. His dark gaze landed on Ivan like a wasting disease. "Then go home and figure things out on your own. I’m not the one who needs to be here, Ivan. I’m not the one intent on luring Jackson Spey into the Prism."

"Yeah, but you’re the one who likes being here." Ivan tried to give him a playful swat on the arm, but he couldn’t bring himself to make contact with the ghoulish figure. His hand fell limply to his side. "Wouldn’t you rather do this on your own? Kind of like, you know...masturbating."

Bothu’s narrow eyes narrowed further. "Actually, I would prefer being alone. But to achieve the results you’re after, you have to be present." He nodded toward Ivan’s neck. "While I’m thinking of it, you need to ditch the jewelry."

"What jewelry?" Ivan touched the spot Bothu seemed to be looking at. "You mean my amulets and talismans?"

"You’ll have to take them off and leave them outside the mansion."

"The mansion?" Ivan bugged his eyes in disbelief. Then, resigned, he sighed. He’d given up trying to understand this goof a long time ago. "Listen, I wear these pieces for a reason. Let me explain it in simple terms. The talismans attract the shit I want. The amulets repel the shit I don’t want. Considering where we are"—dramatically, he waved his arms to indicate the setting—"I’d say a little protection is warranted."

"And I’d say, get rid of them." Bothu resumed walking. "Things will be a lot uglier for you if you keep them on."

"Why?"

"Never mind."

"Well that’s just fucking great," Ivan muttered.

Trudging on, they soon circled the western side of the cliff. Behind it, nearly butting up against the rock’s northern face, was a gnomish stone structure patterned with lichens and engulfed in shade. The mausoleum looked like a rotten tooth. Ivan shivered as his gut clenched.

"How are we supposed to get in?" he whispered, hoping they couldn’t. He eyed the sturdy double doors deeply recessed beneath a Gothic arch. They appeared to be bronze, and decorated all over with demons writhing and cavorting within a cage of thorny branches. Flanking this dreary portal, gargoyles glowered from atop a pair of Corinthian columns.

It was hardly an inviting entrance. A plaque set beneath the roof’s low gable identified the lord of the mansion—one James Newman, who drew his last breath in 1928.

Much to Ivan’s surprise, Bothu simply walked up to one door and pulled it open. The hinges didn’t even squeal in complaint. Stiff-lover must keep them lubricated, Ivan thought. A puff of stale air wafted past his face.

With extreme reluctance, he pulled off his assortment of charms and laid them on a patch of ground rather than the cracked concrete apron that led to the doors. Getting them dirty, he figured, was far better than letting them come into any contact with Newman’s charnel house. Riding a sweaty wave of anxiety, he followed Bothu inside.

The grim, dim space smelled both dank and musty. An open crypt sat in the center, its lid so severely askew it seemed an inch from crashing to the flagstone floor. A hard chill dug into Ivan’s bones. He lingered near the door.

"I’d say it’s twilight. Wouldn’t you?" Bothu murmured, glancing at his companion.

"Sure." Ivan didn’t give a fuck. He just wanted to get this ordeal over with.

"Come here."

Ivan cast a longing look at the door, still ajar. "Do I have to?"

"Yes, you idiot. I didn’t bring you with me because I enjoy your company."

Ivan took a few tentative steps forward. The necromancer reached into his pants pocket and pulled out a key. A hex key. Leaning over the vault, he apparently fit the key into a lock—the lock that secured the lid of the casket nested within. A sharp click made Ivan flinch.

At that very moment, the mausoleum’s door swung shut. Ivan jumped and let out a yelp. The space was instantly packed with woolly blackness.

Now, he did hear a creak. Bothu must be lifting the casket’s lid. Ivan remained frozen in place, aware of the damp cold from the flagstones leeching through the soles of his shoes. He tried mentally cobbling together some protective incantation, but his mind seemed to have shut down. He heard Bothu rummaging through the satchel.

"Come," Bothu said, his voice dusky, "greet your benefactor."

Mewling, Ivan faltered forward in shuffling baby-steps. A match flared then touched the wick of a thick candle. It smelled, jarringly, like Christmas, but with a bitter note. Another burst of small flame, and the cloying scent of jasmine crept into the air. Ivan still hadn’t peered into the relative gloom of the crypt. He watched Bothu remove other things from his black bag—a knife, a glittering chunk of stone, a vial of murky liquid—and array them along the wide edge of the vault.

Holding the candle above what lay within, the necromancer paused as his gaze angled downward. Fondly, he smiled.

Ivan thought he might faint.

As Bothu lowered the candle toward Newman’s remains, he simultaneously curled an arm around Ivan’s rib cage and drew him forward. Candlelight wavered up from the rectangular gulf.

"Isn’t he lovely?" Bothu said. "He was nearly one of the Incorruptibles until fairly recently."

Sheer morbid curiosity made Ivan rise up on the balls of his feet and sneak a glance at the inside of the casket. He wished he hadn’t. Closing his eyes, he swayed backward and swallowed hard.

Newman should have been pure skeleton by now. But he wasn’t. On his hands, neck and head, skin like poorly tanned leather peeled away from teeth and bone. Scalp and hair, gradually disconnecting from his skull, rested like a clump of thatch on a soiled, rotting pillow. His dark clothing was nothing more than dusty scraps. As sunken and shriveled as they were, his eyes appeared to be open.

Even worse, something protruded from his chest. It looked like a partially corroded blade. What the fuck? Ivan kept thinking. What the fuck? Had Newman been a vampire? Ivan tried to calm himself. Maybe not a vampire. Bothu brought a knife with him this time, too, and vampires didn’t need to be killed twice. Besides, Newman looked deader than dead already. So maybe it was just part of the ritual. But why had the damned blade been stuck in the corpse’s heart?

In slow motion, Bothu lifted the vial of liquid.

"Wh-what’s in there?" Ivan whispered, because asking questions helped deflect his attention from every other grisly detail of this situation. Not to mention his billowing panic. He didn’t think he could hold out much longer.

"Milk. Honey." Bothu pulled out the cork stopper. "Blood." Reaching down, he caressed the lipless mouth and drizzled his concoction inside it.

On the verge of retching, Ivan turned away.

"Come, sweet Azrael," Bothu crooned, "and speak through your servant James. Tell me how the man named Jackson Spey can be brought into the powerful crystal once hidden and protected here."

A soft rustling made Ivan hazard a glance at the necromancer. He’d reached inside the casket again. Very gently, he lifted something. One of Newman’s hands. He cradled it.

Azrael, Azrael... Ivan tried to recall the entity identified by that name. Was it demonic? Bothu’s blandishments went on. Ivan knew they were for his sake. It was the only thing that kept him from bolting. Azrael...

Shit. That was the Angel of Death.

A dry rattle came from the casket. Words formed. "C-call. Call him. Open the door."

"Thank you," Bothu breathed out. His tone was rapturous.

Suddenly, Ivan couldn’t breathe. He frantically stumbled away from the crypt, trying to distance himself from the eerie exchange. His shoulder connected with a slimy wall. Half-expecting Newman to rise, he scrabbled toward the doors, their outlines barely visible in candle’s feeble glow.

"We will stay here ‘til the next twilight," Bothu said—to whom, Ivan didn’t know or care. "Still as the dead yet receptive as the living, we will stay."

The fuck we will. Ivan’s quaking hand found a thick metal ring.

"Call. Then...open the door."

Damned straight. Ivan grabbed the ring and pulled. Nothing happened. Panic began to overtake him. It opens out, not in! Grateful he hadn’t totally succumbed to hysteria, he threw his considerable weight against the barrier. The bronze plane resisted for a couple of seconds before it swung open.

Ivan pitched himself into the evening, rolled once, and scrambled onto his hands and knees. Without a single glance at the mausoleum, and with greater and speed and agility than he’d possessed since childhood, he scurried toward the blessedly mundane haven of his SUV. Amulets and talismans be damned.

Friday, October 30, 2009

KZ's Halloweenies & Whorrors, 5


Gray Man. That's all he is, at first. This particular spirit might be unsettling . . . but, as it turns out, in a rather pleasant way.

* * * * *

Emma Moore’s vacation along the lower New England seaboard had everything to do with bolstering her flagging relationship and nothing to do with finding ghosts. But when eerie entries written in archaic script show up in her diary, she suspects they might be related to the shadowy figure suddenly clinging to her boyfriend’s back.

A shockingly orgasmic ride on a theme-park roller coaster and the mystifying utterances of a psychic stranger only strengthen Emma’s suspicion that something, or someone, is going bump—and hump—in the night. Getting to the bottom of this disturbing yet compelling phenomenon seems her only recourse.

Leaving Alan, her lawyer-boyfriend, behind in Boston to pursue his work and possibly an affair, Emma returns to the historic Connecticut inn where the intensely passionate Gray Man first appeared. What she discovers and experiences there bring her the most wrenching sadness and exhilarating hope she’s ever known…and the realization that there are no bounds in time and space any more than there are in the ocean that lies beyond her window.

* * * * *

"You turning in?" Alan asked with groggy indifference.

"In a bit." Emma swiveled and lowered her feet to the floor. She grabbed her robe, slipped it over her shoulders, and rose from the bed.

After licking his thumb and forefinger, Alan rolled toward the nightstand and pinched the candle’s wick, snuffing out its weak flame.

Emma slid her diary from a side-pocket of her suitcase, then padded to and through the French doors that separated the small bedroom from the small sitting room. This lovely, historic inn on the outskirts of a lovely, historic town had several two-room suites. Alan and she had been fortunate enough to get one. If it hadn’t been past Labor Day, they likely wouldn’t have been so lucky. After closing the doors behind her, Emma approached an antique desk—Queen Anne, she thought—and turned on an old oil lamp that had been converted to electric. Seating herself, she opened her diary within the pool of light.

She smiled. The diary, which seemed like such a girlish indulgence, was an impulse purchase she’d made shortly after moving to Boston. It had gilt-stamped covers of soft burgundy suede, gilt page-edges, and a dainty lock that opened with an equally dainty key she never used. Alan couldn’t care less about her private thoughts.

Turning to a new page, Emma smoothed it and began to write.

September 28

Old Saybrook

What is it I want?

I want passion to be part of my life again. Body, mind, heart and soul. I want the man I adore to adore me and share this passion. I want a sweet ache and sweeter haze to settle over me, settle into me, after we make love.

I want to be transported by joy, by wonder, by gratitude for my blessings. There was once magic in my dreams. I want my dreams back. I want to reclaim the magic. I want to look out this window in Connecticut and believe I can see moonlight reflected off the sand on a beach in Aruba.

Emma pressed her loosely fisted hand against her lips to stanch a tearful giggle. This abrupt reaction baffled her as much as what she’d written. "Get a grip," she whispered to herself, almost angrily swiping her fingers beneath her eyes.

She never effused like that. She rarely, since childhood, had an urge to titter and weep at the same time. She felt like a lunatic.

But despite her embarrassment, Emma didn’t cross out what she’d written or tear out the page. She further surprised herself by adding another line.

Am I being fair, and realistic, in wanting these things?

Confused, Emma tossed aside the pen and dropped her head to her hands. What the hell was wrong with her? She had a boyfriend most women would kill for. Thirty-six years old, goodlooking, courteous, financially secure.

But I want…

"Enough already." Emma briskly rubbed her face. Pushing back from the desk, she switched off the light and went to join her trophy man in bed.

*

As soon as her eyes opened to the sharp sunlight of a late-September morning, Emma realized she’d neglected to do something very, very important last night. Not only had she forgotten to stash her diary, she’d—

Oh shit.

Shooting a quick glance at Alan, who seemed to be sleeping soundly, Emma slipped out of bed and into her bathrobe and pattered as quietly as possible to the sitting room. Easing open the door, hoping its thin squeak wouldn’t wake her companion, she rose up on the balls of her feet and took three long strides to the desk. Sure enough, the diary still lay there, wide open.

Emma reached out to snatch it and stuff it into her pocket. Her arm froze in midair.

Beneath the final line of her entry, a single word had been written in a jagged, archaic script.

Yes.