Showing posts with label urban fantasy. Show all posts
Showing posts with label urban fantasy. Show all posts

Thursday, June 11, 2009

InDescent and Miscellaneous Aversions

Jenre, an honest and insightful reviewer, tackled my m/m urban fantasy InDescent on her Well Read review blog (http://tiny.cc/gJjr0), devoted primarily to m/m fiction. The review was also put up at Reviews by Jessewave, which you can get to by clicking on the title of this post.

At Jessewave's, the review generated an interesting discussion. It highlights how different readers perceive characters and their motives, and also demonstrates how plot elements that people find distasteful can make or break a book for them. I've already posted a (lengthy) list of things that grind the gears of m/m fiction readers. But they're certainly not alone in their pickiness.


This fascinates me. Aside from the usual gag-inducing/taboo themes (cannibalism, bestiality, "romanticized" or gratuitous rape, torture, incest, sex involving minors, fetishes involving really icky stuff), I'm willing to accept most anything an author puts in his/her work, as long as I'm reading a good story well told. I'm not, for example, a big fan of yaoi. And I'm not a fan of certain character types. But, hey, let Katrina Strauss spin out some yaoi or Frank Tuttle throw a detective (rather, a "Finder") at me, and I am so there. The Age of Sail? Couldn't have cared less . . . until Alex Beecroft came along. I have some issues with BDSM, too, but so many authors handle it so well (and, sometimes, in such original ways) that it no longer automatically hits my recoil button.

Have you ever found one of your reading prejudies vanish in the space of a just-plain damned good book?


Sunday, May 10, 2009

The Long and Winding Road to InDescent


When writers weave new tales, they often behave like birds in nest-building mode. A scrap from here, a shred from there, a bit of bling and string that have been used before in some other capacity. I've been watching wrens, barn swallows, and bluebirds doing their spring gathering all over our property.

I'm no less a scavenger, except that I try not to lay eggs. ;-) Characters, places, and relationships that had their origin in previous books turn up in InDescent. It isn't necessary to read all of the novel's source material -- not if I've done my job properly -- but some people have expressed an interest in "what came before." So here it is.


  • Adin Swift. Now Jackson's lover, Adin first appeared (and both men first appeared together) in Plagued, from Ellora's Cave. This book details Adin's personal history, including the course of his relationship with Celia, his live-in girlfriend. The men reappeared in Tormented (Changeling Press) on the occasion of Adin's 30th-birthday party. Next came Obsessed (also from Changeling). Each book marks a significant stage in their relationship. If, however, you're only interested in getting the gist of their backstory, read Obsessed. It's a good but not necessary lead-in to InDescent.

  • Angelina Funmaker. Jackson's best female friend, the biracial Angelina was born a hermaphrodite (intersexual person). Thanks to Jackson's financial support, she secured the drugs and medical procedures necessary for her to become a "complete" female . . . and a stunning one. Angelina makes her first appearance when Jackson makes his -- in Hoochie Coochie Man, from Double Dragon Publishing. Angelina also appears in other stories.

  • Ivan Kurtz and Bothu. This self-styled "mage" and his occasional sidekick, the creepy necromancer, also made their first appearances in Hoochie Coochie Man. Ivan was every bit the envious, profane, self-important blowhard in the first book that he is in InDescent. Although he aspires to villainy, he never quite makes the grade. He and Bothu seriously crossed Jackson in HCM, and they both suffered for it. But egotistical Ivan never seems to learn his lesson.

  • the psychic medium, Sophie Alanca; her boyfriend, Sonny Brock; her spirit guide, Esme. All three characters had their own story in Cemetery Dancer, a 2008 EPPIE finalist from Ellora's Cave. Jackson helps Sophie out of a dire situation and, in the process, incurs Sonny's (unwarranted) jealousy. They've since become good friends.

  • Fog Cliff Cemetery and James Newman's mausoleum. These, too, are integral to the Cemetery Dancer storyline. In fact, a BIG clue regarding who caused the break in the Prism of Nezrabi is in Cemetery Dancer.

As I said above, it certainly isn't necessary to be familiar with all these novels and novellas to grasp what's going on in InDescent. This post is simply meant to illustrate how three-dimensional certain characters become after a while, and how what went into the making of them isn't much different from what goes into the making of any living adult.

You're right. We're weird.

Tuesday, March 03, 2009

SEEKING SOMETHING WICKED now available

The long-awaited, much-anticipated (by me) sequel to Looking for Some Touch was released today and is now available at Loose Id. Seeking Something Wicked is Book 2 of the Utopia-X series. The itchy-in-the-pants and love-befuddled Coven of Three must identify, track down, and neutralize a truly bizarre female mutant who shares the philosophy of Templeton the Rat from Charlotte's Web: "Good things come to those who find 'em and shove 'em in their mouth."

By the way, Ridley Barron, one of the book's main characters, doesn't look like the dude on the cover. He looks more like the Prince of Persia -- if you can ignore the Prince's flamboyant outfit and focus on his facial features. So keep that in mind if you read SSW. (I wonder how many other writers get this goofy over how their characters are portrayed on covers. Really, I worry about myself sometimes.)

Sunday, November 30, 2008

The World of Utopia-X


The Utopian Metroplex of Regenerie, at the center of my Loose Id novel Looking for Some Touch, is the hub of the Utopia-X series. It's one of many urban centers established in the wake of a global catastrophe known as the Great Event or, by people who don't like to mince words, the Darkening. (The nature of this cataclysm will be revealed in the third book of the series.) Each metroplex is a sovereign city-state, an autonomous entity, and nominally defines itself through its primary product(s) or services.

Thus, Regenerie takes pride in being a clean, green, progressive metroplex, a model of humanitarianism and environmentalism. Its most important export is energy, entirely derived from renewable sources. "Living" medical products (e.g., laboratory-grown organs for transplant) run a close second. Regenerie's closest neighbor, the Iron Metroplex of Villius, is quite different -- a grim, dirty, rough-around-the-edges mining center. Villius figures prominently in Book Two, Seeking Something Wicked, coming February 24 from Loose Id. Perhaps the strangest metroplex of all, the Pleasureplex of Xanandru, will take center stage in Book Three.

Between these city-states are vast and largely undeveloped wilderness regions called Interzones. Humans and Otherbeings who dislike urban bustle have gravitated to these expanses, which aren't under the jurisdiction of any government. Interzone denizens live either in small settlements or isolated dwellings. Not many highways cross interzonal areas. Vehicular traffic is mostly restricted to the metroplexes; interurban travel and commerce take place via sophisticated air and water craft and high-speed, often elevated trains. More radical modes of transportation are on the horizon, thanks to the efforts of scientists and engineers in Specula and Venturus.

Aside from its political organization and advanced technology, this future world isn't terribly different from the world in which we live. After all, it has its roots in the 21st century, when the Great Event took place. Enough people, materials, and documents survived to allow civilization to pick up -- with great effort, of course -- where it left off. Languages, scientific knowledge, religious beliefs, cultural practices, and other 21st-century systems and paradigms were preserved and passed on by the planet's surviving inhabitants. Larger, more mysterious forces, working behind the scenes, were also at play in global renewal. They, too, will be discussed in upcoming books.

The series name, Utopia-X, is a kind of condensed commentary on the often misplaced optimism and enthusiasm that infect this brave new world and Regenerie in particular. The main characters in Looking for Some Touch will continue to discover that the quirkiness of thinking creatures, whether human or nonhuman, has a way of undermining the loftiest visions and best-laid plans for a perfect society . . . and a perfect self.

My next post will be on the unique beings known as hybrids and their role in Utopia-X.